Monday, January 28, 2019

Intensity Chart


Intensity is the brightness or dullness of a color (hue). We can't make a color brighter, but we can make it duller by adding it's compliment. If we add together equal amounts of complimentary colors we produce a neutral.

Making the Chart


  1. Using your T-square, square up a 12x18" piece of white drawing paper. 
  2. Find the center of a 12x18" piece of white drawing paper by drawing lines from opposing corners.
  3. From the center measure up one inch and make a mark. Then measure down an inch and make a mark.
  4. Draw horizontal lines at these marks. (using the t-square)
  5. Measure out one inch to the left and right of the center mark. Draw a vertical line at these two lines. Vertical lines are drawn by resting the triangle on the t-square. Your first 1x2" box will now be centered on the paper.
  6. Mark out and draw five boxes to the right and left.
Painting the Chart



  1. Pick two complimentary colors. (ie. violet and yellow)
  2. Paint the original color at each end of the chart.
  3. Mix equal amounts of each color to get the "middle" neutral color.
  4. Create 4 small piles of each color. Add small amount of the opposite color to create each intensity change. By mixing them simultaneously, you will be able to easily compare the changing intensity.
  • Please mix small quantities of paint. Remember, you only need to fill a 1x2" area. 
  • Mix the paint thoroughly!
  • Paint neatly, presentation is part of your grade.

Thursday, January 3, 2019

Value Homework


During the last project we were involved with creating different values by adding white or black to a color.

Practice your ability to create values by making  a value chart in pencil. Start by ruling our a rectangle that is 10 inches long and 2 inches wide. Divide the rectangle into 10 smaller rectangles. Each one should be 1x2" in size.

Using your pencil, shade in 10 different value gradations. Start as black as possible and slowly get lighter. Use the example above for reference.

Value Project

Exploded Action Figures

Value project using Analogous Colors

The work of Joseph Albers and his series Homage to the Square utilizes size gradations and value changes to create an optical illusion. Our Action Figures will incorporate the same ideas.

Vocabulary

  • Value - the lightness or darkness of a hue. (color)
  • Tint - Adding white to a hue.
  • Shade - Adding black to a hue.
  • Gradation - The progressive change of color and or shape within a composition.
Process
  1. Trace a photograph of an active sports figure or an equivalent action image.
  2. Transfer the outline of the image to a 12x18 inch piece of white oak tag.
  3. Draw lines around the figure that make the spaces get wider as they go toward the edges. (See example at the top of page.)
  4. Constrict the shapes in some places to add interest and variety.
  5. Paint the spaces with progressive value changes, starting with a light value and working toward black. A sensation of vibration should develop.
  6. make sure that you have a piece of newspaper under your project as you work.
  7. Take only the amount of paint you need, no more or less.  Mix colors slowly. Start by adding small amounts of the darker color to the white. Then add more as needed.  Make sure that you finish a complet color before the period is over. It will be difficult to mix th same color again.
  8. Clean Up!! Cardboard pallets and newspaper go in the trash. I will wash the brushes for you, but you are responsible to sponge off your table.
  9. Place your wet work on the drying rack. Dry work should be placed in your folder.
Considerations

You must have 10 different values!
Consider using two complimentary colors.
Use your original image in the center of the composition.

Wednesday, December 19, 2018

Color Vocabulary

Color Terms

Primaries - Yellow, Red, Blue

Secondaries - Orange, Violet, Green

Tertiaries - Yellow-Orange, Red Orange, Red-Violet, Blue-Violet,Blue-Green, Yellow-Green.

Hue - Another word for color

Value - The lightness or darkness of a color.

Intensity - The brightness or dullness of a color.

Tint - A color that has been lightened by adding white.

Shade - A color that has been darkened by adding black.

Black - The absence of all color (light)

White - The sum total of all color.(light)

Gray/Brown - Gray is created by only a partial reflection of all color waves of the spectrum.

Neutrals - Black, White, Brown and Gray

Complimentary Colors - Colors that are directly opposite on the color wheel. Green and red are and example.

Analogous
Colors - Colors that are next to each other on the color wheel.

Split Complimentary - Start at a particular hue, blue for instance. Go directly accross the color wheel to it’s compliment which is orange. Then take the colors that are analogous to orange: yellow-orange and red-orange.

Triadic Harmony - A triadic color scheme involves three equally spaced hues on the color wheel. Blue, yellow, and red are and example.

Monochromatic - A color scheme using only tints and shades of a single color.

Cool Colors - Usually associated with Yellow-green, Green, Blue-Green, Blue, Blue-Violet and Violet.

Warm Colors - Yellow, Yellow-Orange, Orange, Red-Orange, Red, and Red-Violet.

Simultaneous Contrast - For any given color the eye simultaneously requires the complementary color and generates it spontaneously if it is not already present.

Color Wheel



Materials:
White Oak Tag 12x18”                        Newspapers under work
Tempera Paints                                    Pencils
Brushes                                                Compasses

Procedures

  1. Find the center of the paper.
  2. Open your compass to a radius of 5 inches and strike a 10 inch circle.
  3.  Reduce the radius to 4.5 inches and strike a 9 inch circle.
  4.  Reduce the radius to 4 inches and strike a 8 inch circle.
  5.  Place the point of the compass on any outside edge and strike an arc from the center of the circles to the outside edge.
  6. Go to where the arc has touched the edge of the outside circle and repeat. You should end up with 6 sections. Find the center of one of the sections and repeat, making 12 sections.
  7. Each section will have a large area for the color, and two small areas for a tint and shade.
  8.  Start by painting in the primary colorsUse Magenta for red, Turquoise for Blue and Yellow. Mix and paint a tint and shade for each primary color. ONLY the primary colors may be used!
  9. Mix the secondary and tertiary colors between the primaries. It is easier to work on the three colors between two primaries at the same time.
  10.  Make sure you reserve enough of each color to mix it with black or white to make your tint and shade.



    Color Mixing
    ·         Mix your colors on a pallet of cardboard or on an old magazine. Throw away the cardboard pallet or rip the used pages from the magazine and place them in the trash.
    ·         Clean your brush and place it in the can bristles up! (Very important)

    Tips
    ·         Use small amounts of paint!
    ·         Always add small amount of dark colors to light!


    Place Wet Art Work on the Drying Rack in the back of the room.

    Stippling Homework

    Stippling is a shading technique that used dots to create different values.

    In your sketchbook draw a 6x6 inch box. Divide it into nine (9) 2x2 inch squares. Using pencil or marker, create 8 values using stippling. Remember to keep your “dots” evenly spaced to create an even value. Do not place your dots in rows!


     

    Surrealism Project

    Objective:
    • To put real objects in unreal situations.
    • To take real objects and alter them in such a way as to distort or change their original purpose.
    • To create unusual perspective-like environments
    Materials:
    • Mixed media
    • 18x24" white oak tag
    • Glue sticks
    • X-acto knives
    • Cutting boards
    Procedure:
    1. Collect images using “Automatic Suggestion”. Look for images in magazines, newspapers and then cut out the objects. Use parts or the whole image. 
    2. Use one image as the basis for your project. Extend it’s perspective.
    3. Add perspective. Think about the use of Relative Scale in your image.
    4. Create some kind of 3-D shape and shade it using stippling.
    5. Collage: Make creative use of magazine images. You may print our specific images from the web if needed.
    6. Remember this is “Mixed Media” You should use different materials. (ieCraypas, water color etc.) If you need something special, ask!